We C Classical

〖We C Classical〗不完美的終止式 — 作曲家最離奇的⋯⋯ (上)

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「不完美的終止式」(Imperfect Cadence)是樂理上的一個術語——音樂沒有解決到主和弦、戛然而止的結尾。 但有時候,這個術語也可以拿來描述一個作曲家的人生。 

這一集,我們講五位作曲家——他們都在歐洲音樂史上留下不可取代的位置,但他們的離開方式,全部都是「不完美的終止」:不該那樣結束、卻就那樣結束了。 

◆ Jean-Baptiste Lully(1632–1687)— 法國巴洛克歌劇之父。1687 年指揮《Te Deum》慶祝國王痊癒時,用長指揮杖敲地板打拍子,「咚」一下沒敲到地、戳到自己腳趾,壞疽奪命。代表作《Te Deum》LWV 55(1677)——就是那首致命的曲子本身。 

◆ Jean-Marie Leclair(1697–1764)— 法國小提琴學派奠基者。1764 年 10 月 23 日晚上,在自家門口被刺殺,三個嫌疑人——他的妻子、園丁、跟一位職業上競爭的親侄子。260 年至今懸案未破。代表作《D 大調小提琴奏鳴曲》Op. 9 No. 3(1743)。 

◆ Charles-Valentin Alkan(1813–1888)— 19 世紀巴黎最神祕的鋼琴家。流傳百年的「被書櫃壓死」其實是錯的——1978 年學者 Hugh Macdonald 在《The Musical Times》證實:壓死他的是一個沉重的鑄鐵雨傘架。代表作《十二首小調練習曲》Op. 39(1857),其中第 8 號是「一人份的鋼琴協奏曲」。 

◆ Enrique Granados(1867–1916)— 加泰隆尼亞鋼琴詩人。1916 年從紐約 Met 首演成功歸途,搭乘的 SS Sussex 渡輪被德國 UB-29 號潛艇魚雷擊中。他已爬上救生艇,卻為了救妻子 Amparo 跳回大西洋,雙雙溺斃。代表作《戈雅的場景》(Goyescas, 1911)。 

◆ Anton Webern(1883–1945)— 第二維也納樂派核心、12 音技法的精煉者。歐戰結束 4 個月後,他走到屋外抽一根雪茄,被執行支援任務的美軍廚師看到火光、誤判為威脅而開槍射殺。代表作《鋼琴變奏曲》Op. 27(1936)。


音樂來源:

https://www.youtube.com/watch?v=DOt4eVRKZuw

https://www.youtube.com/watch?v=W3XKeqy8xd4&t=251s

https://www.youtube.com/watch?v=sldJGT-Y9OE

https://www.youtube.com/watch?v=5XA6CZe6yrM

https://www.youtube.com/watch?v=7naaVPKatOo

https://www.youtube.com/watch?v=nsQTXnPHHx0

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Luly, ilo sang choose and you follow, ilo batinian sami ashuries we bali, Tashi Taya Wang Lu is Siddhango Chuli na the shipwalking a fag go shit on man quai man the kitok.

SPEAKER_01

Ilo in shant baha hunter na so it m ship. Oh ne to sing jing has not shui pai.

SPEAKER_00

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Lulli fungo the biao chu s nigga hamis and the foo diant yet so sinji yourself foo foo dial na hong the fago shikho zong jiao the chong yang gan, hyo uda y to the chao ti.

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