We C Classical
你是否覺得古典樂是一道聽不懂、跨不過的牆?
那些冗長的人名、複雜的樂理,總讓你聽了就想睡?
歡迎來到**《We C Classical》**!在這裡,古典樂不是遙遠的古董,而是充滿故事、色彩與情感的聲音宇宙。
「We C」是主持人 Winnie 和 Cindy,同時也代表 We See——我們相信,欣賞古典樂不該只是「聽」,更要用耳朵「看見」樂曲背後的世界。
我們是兩位愛音樂也愛聊天的老師,將用最輕鬆的對談、最有趣的故事、最貼近生活的角度,破解你對古典樂的刻板印象。我們不談艱澀的樂理,只聊音樂裡的喜怒哀樂。
We C Classical
〖We C Classical〗左手的獨白
Use Left/Right to seek, Home/End to jump to start or end. Hold shift to jump forward or backward.
有旋律、有伴奏,中間還有和聲在流動——但這段音樂,從頭到尾只用了一隻手。
上一集我們從奧利佛‧薩克斯的書出發,聊大腦與音樂;這一集換個角度,不講腦,講手。拉威爾的《左手鋼琴協奏曲》名聞遐邇,但它並不是唯一的一首。
從 1877 年到 2004 年,Cindy 與 Winnie 帶你認識和「左手」結下不解之緣的音樂家:嫌兩隻手彈巴哈〈夏康舞曲〉太容易、刻意只用左手的布拉姆斯;十九歲和拉赫曼尼諾夫較勁、把右手練壞的史克里亞賓;十四歲因狩獵意外失去右臂,卻被漢斯利克譽為奇蹟的齊希伯爵;在西伯利亞戰俘營的木箱上畫鍵盤練琴的保羅‧維根斯坦;以及右手失靈三十年後,重新以雙手登台的弗萊雪。
維根斯坦更以家族財富向當代名家委託新作:康果爾德的協奏曲讓他滿意到一個音都不改;普羅高菲夫收到的回信卻是「我一個音都不理解」;而亨德密特的那一首,塵封了八十一年才終於首演。
五個人,五種理由,留下來的音樂卻聽不出差別——限制在譜上,不在聲音裡。
本集提及作品
・巴哈/布拉姆斯:D 小調夏康舞曲(左手版)
・史克里亞賓:前奏曲與夜曲 Op. 9
・康果爾德:升 C 大調左手鋼琴協奏曲 Op. 17
・亨德密特:鋼琴音樂與管弦樂 Op. 29
・普羅高菲夫:降 B 大調第四號鋼琴協奏曲 Op. 53
・布瑞頓:嬉遊曲 Op. 21
音樂來源:
https://www.youtube.com/watch?v=cAfyPYXtc10
https://www.youtube.com/watch?v=0hJjQC9iwJY
https://www.youtube.com/watch?v=l8rD4QmOqNQ&t=11s
https://www.youtube.com/watch?v=O_UcbJF7Svg
01'48" Scriabin: Op.9 Nocturn
03'09" Bach/Brahms:Chaconne
06'40" Scriabin: Op.9 Nocturn
11'38" Korngold: Piano concerto for left hand, op.17 mov.II
16'56" Prokofiev: Piano concerto no.4
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